Sept. 20, 1936 Amelia Earhart sits on top of her Lockheed Electra plane with a group of Purdue University coeds in front
Had a 24 hour stopover in Kathmandu, Nepal, where I visited the Pashupatinath Hindu Temple. The temple is popular with tourists, and the resident priests have become experts at ‘casually’ positioning themselves in oh-so-photographical arrangements. They then collect donations in exchange for ‘authentic’ photographs. Motives aside, they do a beautiful job, and the scenes they create seem worthy of a Hollywood art director.
"Trying to get a baby or a fussy toddler to sit still for a photograph can feel like a herculean task. Luckily, it only takes a second to get the shot. In the nineteenth century, however, it was a different story—particularly when it came to tintype portraits, which required a long exposure.
Photographer Laura Larson’s series, Hidden Mother, presents a survey of nineteenth-century tintype portraits in which the mother of the child was included in the photograph, but obscured.
In some instances, the mother would hold her child, with a cloth or props hiding her from the lens, or she would be painted over by the photographer after the image had been taken. In other examples, the mother is entirely absent from the frame, save for an arm, holding the child in place.
The results are both funny and slightly disturbing. The mother appears as an uncanny presence, Larson writes in a statement. Often, she is swathed in fabric, like a ghost.”